Thursday, January 29, 2009

Do you ever have shooting pains in your left arm and chest???


The Bacon Explosion is a rolled concoction that can be baked or cooked in a smoker.


FOR a nation seeking unity, a recipe has swept the Internet that seems to unite conservatives and liberals, gun owners and foodies, carnivores and ... well, not vegetarians and health fanatics.

Woven bacon has sausage on top, then some cooked bacon. More Photos »
Certainly not the vegetarians and health fanatics.
This recipe is the Bacon Explosion, modestly called by its inventors “the BBQ Sausage Recipe of all Recipes.” The instructions for constructing this massive torpedo-shaped amalgamation of two pounds of bacon woven through and around two pounds of sausage and slathered in barbecue sauce first appeared last month on the Web site of a team of Kansas City competition barbecuers. They say a diverse collection of well over 16,000 Web sites have linked to the recipe, celebrating, or sometimes scolding, its excessiveness. A fresh audience could be ready to discover it on Super Bowl Sunday.
Where once homegrown recipes were disseminated in Ann Landers columns or Junior League cookbooks, new media have changed — and greatly accelerated — the path to popularity. Few recipes have cruised down this path as fast or as far as the Bacon Explosion, and this turns out to be no accident. One of its inventors works as an Internet marketer, and had a sophisticated understanding of how the latest tools of promotion could be applied to a four-pound roll of pork.
The Bacon Explosion was born shortly before Christmas in Roeland Park, Kan., in Jason Day’s kitchen. He and Aaron Chronister, who anchor a barbecue team called Burnt Finger BBQ, were discussing a challenge from a bacon lover they received on their Twitter text-messaging service: What could the barbecuers do with bacon?
At the same time, Mr. Chronister wanted to get attention for their Web site, BBQAddicts.com. More traffic would bring in more advertising income, which they needed to fund a hobby that can cost thousands of dollars.
Mr. Day, a systems administrator who has been barbecuing since college, suggested doing something with a pile of sausage. “It’s a variation of what’s called a fattie in the barbecue community,” Mr. Day said. “But we took it to the extreme.”
He bought about $20 worth of bacon and Italian sausage from a local meat market. As it lay on the counter, he thought of weaving strips of raw bacon into a mat. The two spackled the bacon mat with a layer of sausage, covered that with a crunchy layer of cooked bacon, and rolled it up tight.
They then stuck the roll — containing at least 5,000 calories and 500 grams of fat — in the Good-One Open Range backyard smoker that they use for practice. (In competitions, they use a custom-built smoker designed by the third member of the team, Bryant Gish, who was not present at the creation of the Bacon Explosion.)
Mr. Day said his wife laughed the whole time. “She’s very supportive of my hobby,” he said.
The two men posted their adventure on their Web site two days before Christmas. On Christmas Day, traffic on the site spiked to more than 27,000 visitors.
Mr. Chronister explained that the Bacon Explosion “got so much traction on the Web because it seems so over the top.” But Mr. Chronister, an Internet marketer from Kansas City, Mo., did what he could to help it along. He first used Twitter to send short text messages about the recipe to his 1,200 Twitter followers, many of them fellow Internet marketers with extensive social networks. He also posted links on social networking sites. “I used a lot of my connections to get it out there and to push it,” he said.
The Bacon Explosion posting has since been viewed about 390,000 times. It first found a following among barbecue fans, but quickly spread to sites run by outdoor enthusiasts, off-roaders and hunters. (Several proposed venison-sausage versions.) It also got mentions on the Web site of Air America, the liberal radio network, and National Review, the conservative magazine. Jonah Goldberg at NationalReview.com wrote, “There must be a reason one reader after another sends me this every couple hours.” Conservatives4palin.com linked, too.
So did regular people. A man from Wooster, Ohio, wrote that friends had served it at a bon voyage party before his 10-day trip to Israel, where he expected bacon to be in short supply. “It wasn’t planned as a send-off for me to Israel, but with all of the pork involved it sure seemed like it,” he wrote.
About 30 people sent in pictures of their Explosions. One sent a video of the log catching fire on a grill.
Mr. Day said that whether it is cooked in an oven or in a smoker, the rendered fat from the bacon keeps the sausage juicy. But in the smoker, he said, the smoke heightens the flavor of the meats.
Nick Pummell, a barbecue hobbyist in Las Vegas, learned of the recipe from Mr. Chronister’s Twittering. He made his first Explosion on Christmas Day, when he and a group of friends also had a more traditional turkey. “This was kind of the dessert part,” he said. “You need to call 911 after you are done. It was awesome.”
Mr. Chronister said the main propellant behind the Bacon Explosion’s spread was a Web service called StumbleUpon, which steers Web users toward content they are likely to find interesting. Readers tell the service about their professional interests or hobbies, and it serves up sites to match them. More than 7 million people worldwide use the service in an attempt to duplicate serendipity, the company says.
Mr. Chronister intended to send the post to StumbleUpon, but one of his readers beat him to it. It appeared on the front page of StumbleUpon for three days, which further increased traffic.
Mr. Chronister also littered his site with icons for Digg, Del.icio.us and other sites in which readers vote on posts or Web pages they like, helping to spread the word. “Alright this is going on Digg,” a commenter wrote minutes after the Explosion was posted. “Already there,” someone else answered.
Some have claimed that the Bacon Explosion is derivative. A writer known as the Headless Blogger posted a similar roll of sausage and bacon in mid-December. Mr. Chronister and Mr. Day do not claim to have invented the concept.
But they do vigorously defend their method. When one commenter dared to suggest that the two hours in the smoker could be slashed to a mere 30 minutes if the roll was first cooked in a microwave oven, Mr. Chronister snapped back. “Microwave??? Seriously? First, the proteins in the meats will bind around 140 degrees, so putting it on the smoker after that is pointless as it won’t absorb any smoke flavor,” he responded on his site. “This requires patience and some attention. It’s not McDonald’s.”

Tuesday, January 27, 2009

Peacemakers New Live Album


RCPM loaded their guitars, drum sticks and amps onto the tour bus once again in 2008 and traveled thousands of miles across North America, delivering night after night the kind of high energy rock show that has become a Peacemakers' trademark. The spirit and vigor of RCPM live was captured on both audio and video during one of the truly standout shows of the year in Teaneck, New Jersey.

To commemorate this memorable performance, RCPM wants to raise one more round with fans and celebrate the release of a new live album.Roger Clyne & The Peacemakers are excited to announce the release of "Glow In The Dark," recorded live at Mexicali Blues.Beginning Monday February 2nd, and continuing for the next 14 weeks, fans will have a unique opportunity to not only hear the show, but watch Roger Clyne, PH Naffah, Steve Larson and Nick Scropos perform a different song, both from the RCPM and Refreshments catalogs, each week.
Producer extraordinaire Clif Norrell, the man behind The Refreshments' classic "Fizzy, Fuzzy, Big and Buzzy," as well as RCPM's "No More Beautiful World" and "Turbo Ocho," was also there with trumpet in hand to work his magic on and off the stage.Similar to last year's Turbo Ocho VivaCast, a page will be set up on our website(www.azpeacemakers.com) where fans will find one new song from the show as well as the accompanying concert footage, each week. A total of 14 new songs and videos will be posted.Each song and video will be streaming so you can enjoy them from our site, free of charge. As soon as a new song is posted on our website, it will also be available for purchase in our digital download store. Fans can either buy a new song each week, or at the end of the 14 weeks, the entire "Glow In The Dark" album will be available for purchase at once. "Glow In The Dark" will not be released in standard CD form. "Glow In The Dark" will be a digital download available only through our website.

RCPM fans know there's nothing quite like a live Peacemakers show. We invite you to relive the energy, the excitement and the tequila shots from one 2008's best shows with "Glow In The Dark" starting on February 2nd.The new album would not be possible without the fine work of Gil Griffith and Wave Distribution, Burl Audio, Elysia, Kooster McAllister and Record Plant Remote. Big kudos also to the following folks:Executive Producer: Gil GriffithChief Engineer: Paul PrestopinoStage Manager: Tyler McAllisterStage Tech: Jason TurnerSecurity: Aaron BoydLogistics: Teri MatthewsAND ALL THE FANS WHO LIT UP THE NIGHT IN TEANECK!¡Muchas Gracias everyone!Here's to life!RCPM

Tuesday, January 20, 2009

Steve Larsons first solo album


Steve Larson Band
Road Trip Songs (Steve Larson Recordings)
By Serene Dominic

Displaying more Southern hospitality than in his other gig with south-of-the-border escapists Roger Clyne & the Peacemakers, former Dead Hot Workshop and Ghetto Cowgirl guitarist Steve Larson has plenty of answers for those of you pondering "what's so good about being a good ol' boy?" Striking a vocal resemblance to Steve Earle at his most world-weary and Charlie Daniels – sans fiddle – at his most reactionary, Larson spends most of the Steve Larson Band's new CD Road Trip Songs raising hell, or at least keeping hell subdued with a steady shower of beer. Either provides the perfect excuse to snap together some gigantic '70s dual guitar rock displays, particularly on the requisite road songs "Time to Roll," "Wastin' All My Time" and the Lynryd Skynyrd-like travelogue of bad women, "New York to Washington."
Then, for all you who take the "new country is bad country" position, there's an angry diatribe against California's powerhouse KRED-FM, which not only has the singer seeing "RED," but also threatening to fix his radio with a shotgun – and the Los Angeles programmer with a steel-toe boot to the crotch. It's quite a jolt, coming off the heels of two working man anthems, "King of Last Call," and "Joe's Goin' Fishin'," wherein a guy who hangs sheet rock all day till his arms fall off declares, "There ain't no such thing as a bad day of fishing." Sure, it's audience baiting, but Larson's so likable you'll give it up for hook, line and singer.

Merchants of Cool





Bad Company has enjoyed plenty of commercial success and influenced countless musicians. Yet in many ways Bad Company and its precursor, Free, are vastly underrated by the rock establishment. The original Bad Company — vocalist/guitarist/keyboardist Paul Rodgers, lead guitarist Mick Ralphs, bass guitarist Boz Burrell, and drummer Simon Kirke — reunited for a short 1999 tour. A few years later, Rodgers and Kirke carried on with guitarist Dave "Bucket" Colwell, who'd previously played in versions of Bad Company fronted by Brian Howe and Robert Hart, and bass guitarist Jaz Lochrie, a veteran of Rodgers' solo band. This new lineup released the DVD In Concert: Merchants of Cool in 2002. (An abridged CD version is also available.) This respectable live document was recorded at the Paramount Theatre in Denver, CO, on January 22, 2002, and at the Grove of Anaheim in Anaheim, CA, on January 30, 2002. Bad Company rips through its greatest hits and a couple of classics from Rodgers and Kirke's Free days. Rodgers' voice, as always, is in fine form. Kirke and Lochrie nail down the bottom end and Colwell squeezes out all the recognizable riffs. "Burnin' Sky," "Can't Get Enough," "Feel Like Makin' Love," "Deal with the Preacher," "Rock and Roll Fantasy" (with the Beatles' "Ticket to Ride" and "I Feel Fine" seamlessly woven in), "Bad Company," and "Silver, Blue and Gold" stand out the most. Rodgers performs a solo version of the soaring ballad "Seagull." It does not take sharp eyes to notice that Free's immortal "All Right Now" is edited together from both shows. Guns N' Roses' Slash and Journey's Neal Schon arrive on-stage for a sizzling jam on Free's "Wishing Well." The video for the new studio track "Joe Fabulous," an average song at best, wraps up the main program. DVD bonuses include a variety of band and celebrity interviews, backstage footage, photo gallery, biography, and discography. The live "Saving Grace" video (with Schon) is a hidden "Easter egg" track, accompanied by rehearsal footage and Rodgers and Schon talking about writing the song.

1
Burnin' Sky
2
Can't Get Enough
3
Good Lovin' Gone Bad
4
Feel Like Makin' Love
5
Rock Steady
6
Movin' On
7
Seagull
8
Ready for Love
9
Deal with the Preacher
10
Rock and Roll Fantasy
11
All Right Now
12
Wishing Well
13
Bad Company
14
Silver, Blue and Gold
15
Run with the Pack
16
Shooting Star
17
Joe Fabulous



Monday, January 19, 2009

Tom Petty and the Heartbreakers







Tom Petty - Runnin' Down a Dream



Tom Petty and the Heartbreakers: Runnin' Down A Dream is a 2007 documentary about Tom Petty and The Heartbreakers, directed by Peter Bogdanovich. The 4-hour documentary chronicles the history of the band, from its inception as Mudcrutch, right up to the 30th anniversary concert in Petty's home town of Gainesville, Florida. The movie features interviews with George Harrison, Eddie Vedder, Stevie Nicks, Dave Grohl, Jeff Lynne, Rick Rubin, Johnny Depp, Jackson Browne and more. Petty's solo career is also touched on, as is his time with The Traveling Wilburys. The film was spread over the first two discs, while the 30th anniversary concert and a CD of rare tracks were the components of the remaining two discs.



Disc 1
"Main Feature DVD (Part 1)"
Gainesville 2006
Elvis
What’s In A Name
Mike
Benmont
B.Y.O.F. (Build Your Own Festival)
Fast Forward
Deals
A Broken Bond
Ron & Stan
Tom Petty and the Heartbreakers
Third
Fuel
Howie
Poet

Disc 2
"Main Feature DVD (Part 2)"
Bob Dylan
Strange Coincidences
Scott
The Bottom Line
Steve
John
Round Trip
Rock & Roll Heaven
Runnin’ Down a Dream (End credits)



Disc 3
"One 30th Anniversary Concert DVD" Recorded September 21, 2006 at the Stephen C. O'Connell Center at the University of Florida, Gainesville, Florida
Tom Petty: Vocals, Guitar
Mike Campbell: Guitar
Benmont Tench: Keyboards, Vocals
Ron Blair: Bass, Vocals
Scott Thurston: Guitar, Harmonica, Keyboards, Vocals
Steve Ferrone: Drums, Percussion
Stevie Nicks: Vocals, Tambourine on "Stop Draggin’ My Heart Around", "I Need To Know", "Insider", "Learning To Fly", "Don’t Come Around Here No More" & "American Girl"

"Listen to Her Heart" (Tom Petty)
"Mary Jane's Last Dance" (Tom Petty)
"I Won't Back Down" (Tom Petty)
"Free Fallin'" (Tom Petty, Jeff Lynne)
"Saving Grace" (Tom Petty)
"I'm A Man" (Ellas McDaniel)
"Oh Well" (Peter Green)
"Handle With Care" (Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, Tom Petty)
"Stop Draggin' My Heart Around" [with Stevie Nicks] (Tom Petty, Mike Campbell)
"I Need to Know" [with Stevie Nicks]] (Tom Petty)
"It's Good To Be King" (Tom Petty)
"Down South" (Tom Petty)
"Southern Accents" (Tom Petty)
"Insider" (Tom Petty)
"Learning to Fly" (Tom Petty, Jeff Lynne)
"Don't Come Around Here No More" (Tom Petty, Dave Stewart)
"Runnin' Down a Dream" (Tom Petty, Jeff Lynne, Mike Campbell)
"You Wreck Me" (Tom Petty, Mike Campbell)
"Mystic Eyes" (Van Morrison)
"American Girl" (Tom Petty)

Disc 4
"Bonus Soundtrack CD" - download
"Breakdown" (Tom Petty) – Rehearsal 1977, Los Angeles, CA
"Anything That’s Rock and Roll" (Tom Petty) – Top Of The Pops, UK, June 16, 1977
"Fooled Again (I Don’t Like It)" (Tom Petty) – Old Grey Whistle Test, UK, June 20, 1978
"American Girl" (Tom Petty) – Fridays, June 6, 1980
"Shadow Of A Doubt (A Complex Kid)" (Tom Petty) – Fridays, June 6, 1980
"Stories We Could Tell" (John Sebastian) – Recorded at the Record Plant, Hollywood, CA, 1982
"Keeping Me Alive" (Tom Petty) – Recorded at the Record Plant, Hollywood, CA, 1982
"Honey Bee" (Tom Petty) – Saturday Night Live, November 19, 1994
"Lost Highway" (Leon Payne) – Rehearsal at CenterStaging, Burbank, CA, May 19, 2006

Turbo Ocho







Roger Clyne & The Peacemakers - or RCPM as they are known to fans - are the best band most of you have never heard. All of their albums have been in the Top 10 in Billboard's Charts. They are, according to their website, the only independent band to have had five consecutive albums debut in the top 10 of Billboard's Internet Sales chart. Their live shows are always sold out.Never heard of frontman Roger Clyne? Don't be so sure. In the late 90s, Roger was singer/songwriter for The Refreshments. The Refreshments' album "Fizzy Fuzzy, Big & Buzzy" was a huge hit, producing the singles Banditos and Down Together. I have yet to meet a person who doesn't recognize those tunes when they hear them, even if they aren't sure who it is. Clyne also wrote and performed the theme song for FOX's animated series, "King of the Hill."Being a rabid Refreshments fan, I never got over the fact that 1997's "Bottle & Fresh Horses", turned out to be their second and last CD. Early in 2007 I was listening to some Refreshments music and an idea hit me. I fired up Google and went looking to see if the Refreshments might have some previously unreleased material available.Google led me to Amazon, and the customer reviews there mentioned some goofy band that a couple ex-Refreshments members had formed - Roger Clyne & The Peacemakers. Long story short, it wasn't too long later that I went to iTunes and purchased everything that they had available.Southwestern rock never sounded so good. Edgy, funny and a perfect blend of rock and southwestern influences, Clyne's songwriting is always smart and fun to listen to. If you can't find a beat to tap your foot to in any of RCPM's songs, something probably gnawed your foot off when you weren't looking.These guys just wrapped up a special recording session dubbed Turbo Ocho. They went to Mexico where they set out to write and record together for 8 consecutive days. They topped it off with a live (sold out) show at JJ's Cantina in Cholla Bay.The best part? They documented the entire thing on video, and uploaded the videos of the creative sessions, as well as putting up the finished songs on their site. See here.These guys ROCK. They are worth checking out if you are looking for the real-deal in terms of independent bands. They are in total control of their music and the creative process, and it shows.

Don Felder "Heaven and Hell"


Heaven and Hell: My Life in the Eagles (1974-2001)
Non-Fiction
2008
Buy the book
Reviewed by Jeff Giles
They’ve never been properly codified, but there are, nonetheless, a series of laws governing rock & roll. Though it would take years to write them all down, there are a few major, easily identifiable rules, such as:
1. If your parents like it, it probably sucks.2. Concept albums about armadillo/tank creatures always suck.3. Glenn Frey is an asshole.
That last item is explored in heartbreaking detail in Don Felder’s recently published memoir, “Heaven and Hell: My Life in the Eagles (1974-2001),” originally scheduled to reach shelves last fall via Hyperion but – wouldn’t you know it – spiked at the last minute thanks to legal pressures exerted by Felder’s former bandmates. That the book had a hard time gaining release is hardly surprising, given that Felder was fired by the Eagles (or, more appropriately, “Eagles, Inc.”) in 2001, sparking a wrongful termination lawsuit that was only recently settled. Though Frey and Don Henley have rarely wasted time trying to get anyone to think they’re the type of guys you’d want to knock back a few rounds with, they’ve always jealously guarded their privacy, and early in their careers, they both set new standards in rock music for paranoid, minutely managed interactions with the public and the press. This book was originally scheduled for publication right around the time that the first Eagles album in nearly two decades was arriving on Wal-Mart endcaps around the country; having to face Felder’s accusations while trying to spin their status as weathered rock & roll statesmen could not have been a welcome prospect.
Felder’s had a long career, but the bulk of it was spent in the Eagles, and given that his tenure in the band was ended unwillingly – and given, again, that Glenn Frey is an asshole – “Heaven and Hell” is being presented, understandably, as a juicy tell-all. Though this will certainly help sell copies, it isn’t really accurate; for one thing, the book is nearly a third over before Felder even joins the Eagles, and for another, “Heaven and Hell” gives every impression of a band whose members rarely interacted on a meaningful personal level. This lack of camaraderie will hardly be surprising to anyone who’s read any of the dozens of infamous Eagles tales – most of which are confirmed here – or spent any time listening to the band’s bloodless later albums, but it keeps Felder from delving too deeply into the backstage bullshit, because the band members were always in separate orbits.
Of course, this doesn’t keep Felder from pulling back the curtain one more time on noted misanthropists Henley and Frey – particularly Frey, whose cartoonish greed and stunningly casual cruelty are every bit as horrible as you’d expect from the man whose musical manifesto was outlined in the perfectly titled No Fun Aloud. Henley’s dour liberalism (and hit solo albums) made him an easier target in the ‘80s, but he comes off here as mostly reasonable, if a bit high-strung; it’s Frey who gradually steered the Eagles away from a band of equals and toward the purse-lipped duopoly that’s been soaking its fans with astronomical ticket prices for the last 14 years. His motivations are never clear, but Felder succeeds in driving home the grinding pressure of being in one of the most popular bands in the world – and how badly a lack of brotherhood behind the scenes can compound that pressure.
No, “Heaven and Hell” isn’t really an Eagles exposé. Felder couldn’t have gotten a book deal without tossing in some dirt, but what he really sets out to do here is tell the story of how a poor kid from Gainesville managed to turn a love of music into a very comfortable life for himself and his children. In fact, it’s the non-Eagles bits that are some of the book’s most interesting; throughout his career, Felder has been a sort of guitar-wielding Forrest Gump, casually crossing paths with a succession of superstars. He gave guitar lessons to Tom Petty, jammed with Peter Green, hung out with Stephen Stills… you get the idea. Before being invited to join the Eagles, Felder was playing with Crosby & Nash and David Blue, and having a great time doing it; you can’t help but wonder where his life and career might have gone if he’d stayed on that path.
Frey apologists will no doubt accuse Felder of portraying himself in an unreasonably positive light here, but he isn’t shy about revealing his own insecurities and shortcomings as a husband and father – or his repeated longing to be on better terms with Frey. He’s a guitarist, not an author, and despite whatever influence his co-writer Wendy Holden had on this manuscript, Felder’s literary voice is a little too dry to really make the reader feel what he felt – but he’s still lived a fascinating life, and whether or not you really care about the Eagles as a band, “Heaven and Hell” is an absorbing read, if for no other reason than it provides a first-person account of how the rock-obsessed kids of the ‘50s grew up to follow their idols onto the charts, acquiring more wealth and fame that they could have imagined in the process – and ultimately losing sight of what made them want to be musicians in the first place.
It’s almost enough to remind you that the unctuous middle-aged creep who’s charging fans $200 a ticket to watch him sing “The Heat Is On” was once a kid with real dreams. Almost.